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June 26, 2006

Hip+Hop+ Soda+Shop=Union Square

To some people it just doesn’t seem to add up.  Rapper Juelz Santana and H3 Enterprises plan to open up a second HipHop SodaShop in Union Square this fall.  We started following the launch of this chain of hip hop themed restaurants back in February and have seen the addition of celebrity investors and partners grow each month.  Presently Santana and NBA star Ben Gordon are named as the top two investors.

Originally, H3 Enterprises was slated to start the franchise with a flagship location on 125th Street near the Apollo Theater. However, last week’s Crain’s reported that they will first launch a 3500 square foot location in Union Square, a full 1000 square feet larger than the location in Harlem.  According to a company spokesman, the Union Square location will need less renovation.  The projected date of the grand opening is in two months, although the Crain’s article stated that neither location had finalized their leases yet. H3 Enterprises has already invested more than a million dollars into this project and has their sights set on a location in Florida next.


 

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    General, Below 125th Street, Multi-use, New, Uptown/Downtown | Time: 9:47 am (UTC+8) Comments (1)

June 5, 2006

Follow Ups*

  • The Resident Gamer (via the Greasy Guide) gives us an insider’s look at the V.S. Harlem gaming lounge previously mentioned.
  • Checked out T&J Bakery and Cafe the other week.  Didn’t get a chance to try their baked goods but I did take a good look around. The establishment is spacious and inviting with plenty of gallery space where they will be featuring the work of local artists. The location is perfect since there are no other businesses of that kind in their area and there is plenty of foot traffic from the nearby subway, school and Met supermarket.  The owners boast that they "prepare on-site gourmet breads, cheese cakes, fruit tarts assorted butter cookies, danish as well the traditional southern style cakes and pies." Their signature dessert is "the Carnegie Torte, [a] creamy marble cheesecake with a layer of chocolate mousse, smothered in chocolate."  T&J is located at 2541 Adam Clayton Powell, Jr. Blvd. (7th Ave.) at 147th Street.  (212)234-5662.
  • Tried Harlem Wing and Waffle.  Review to follow.
  • Tried R&D Grill.  A family run restaurant where there seemed to be more hanging out then serving of food. Unfortunately the day I dropped in their refrigerator went out so it was a little chaotic.  Not sure if they will be getting a second chance.
  • Insider’s guide to juice bars in Harlem is forthcoming. Please submit your favorites to uptownflavor[at]gmail.com
  • If you attended any of the weekend events send a link to your write up  to uptownflavor[at]gmail.com 
  • Still working on the site redesign.  You will love the new look!
  • Who knew that Earl Monroe’s is now called the River Room? I’d heard that there was a disagreement with the partners but wasn’t aware that he had completely separated from the company, including taking back his name.  As of today the old website refers users to The River Room however the new site is not live.*
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    Cafes, Formal Dining, Informal Dining, Multi-use, Notes from the Editor | Time: 1:23 pm (UTC+8) Comments (2)

May 23, 2006

“N” Stands for Nicole Miller

First reported back in March as an anomaly on 116th Street, N Boutique has since proven itself to become a surprise success along the burgeoning strip best known for African cuisine.

Monday night saw the grand opening celebration of "N" featuring big names like Nicole Miller and Iman.  Harlem Fur was there and able to snap some shots of the event.

According to fashion website WWD.com,

"Initially, Miller’s company had planned to open a freestanding store with Nikoa Evans, one of N Boutique’s owners. After a prime spot near Fairway’s West 132nd Street location fell through, Evans and her partners decided to go with a multibrand boutique, said Bud Konheim, chief executive officer of Nicole Miller."

"The average Nicole Miller retail purchase at N Boutique is $650, Konheim said. Nicole Miller accounts for about 25 percent of the women’s apparel sold in the store. The designer’s party dresses retailing for around $300 are popular with N Boutique shoppers."

N Boutique is located at 114 West 116th Street in Harlem. 

 
Related:

Amsterdam News ::  WWD.com :: Open for Business :: Harlem Fur :: Curbed ::

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    General, Below 125th Street, Multi-use, New, Exhibits & Events, Specialty Shops, Notes from the Editor | Time: 8:50 pm (UTC+8) No Comments »

April 5, 2006

Pair Bowls a Spare Opening Weekend

After much anticipation Harlem Lanes opened its doors to the general public.  The facility is beautiful and a good time was had by all.bowling open

On point:

  • convenient location
  • beautiful space
  • friendly staff
  • reasonable prices
  • 21 and over policy after 7:30 p.m.

Areas that could use improvement:

  • elevator congestion
  • flow of traffic near the front desk
  • process for assigning lanes
  • adding benches or seating near shoe rental
  • velvet rope process for entering the building

 Related: Grand Opening :: Columbia Spectator ::

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March 30, 2006

Open for Business

NEW boutique, N, opened last week in Harlem. The store will carry a mix of national brands and work by designers based in the neighborhood.   Women’s lines at the store include Nicole Miller, Tracy Reese, Miss Sixty and Juicy Couture; men’s designs include Denim Factory, Modern Amusement and Earnest Sewn. The store also carries clothes by G-Star, Hugo Boss, Chip & Pepper, Marimekko and Paper Denim & Cloth for men and women.    In addition it will have skin care lines like I-Iman, Skyn Iceland and Barc skin care for men and housewares by Jonathan Adler, Marimekko Home and Umbra. At 114 West 116th Street, between Seventh and Lenox Avenues, (212) 961-1036.

Source: New York Times, By ANNA BAHNEY

Related: NY Post 

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    Multi-use, New, Specialty Shops | Time: 4:04 pm (UTC+8) Comments (2)

March 17, 2006

Bowling Alley Grand Opening

Black-owned bowling alley opens doors in Harlem

by JIMMIE BRIGGS
Special to the AmNews
Originally posted 3/16/2006


The first Harlem-based bowling alley in more than thirty years opens its doors on St. Patrick’s Day. Harlem Lanes, the brainchild of Sharon Joseph and Gail Richards, is located at the corner of 126th Street and Adam Clayton Powell Boulevard, below the Alhambra Ballroom. Offering 24 lanes, a sports bar with large screen televisions, private party rooms and a full dining menu, it’s much more than a bowling alley. The entertainment center is spread over two floors of a corner building.


Harlem Lanes will be open seven days a week, 365 days a year and is one of four bowling centers in Manhattan. It is the only one above 42nd Street. Joseph is the niece of Richards, and the two are the first African-American women to own a bowling center in the United States.


"This actually was not the original location we were supposed to be in," explained Gail Richards. "We found the Blumstein Building, on 125th Street across from the Apollo Theater. It was like the Macy*s of Harlem back in the 1960s. It was a great space but we would only be able to fit five more lanes there, with half the footage than we have in this here, because of the columns in that space."


Before a room of journalists, supporters and members of the area business community, the two women held a press conference about the bowling center last Tuesday. In attendance were United States Congressman Charles Rangel, former Manhattan Borough President C.Virginia Fields, Reggie Van Lee from Booz Allen, current Borough President Scott Stringer, Councilwoman Inez Dickenson and former President Bill Clinton. The Harlem-based Clinton Foundation provided support towards the realization of Harlem Lanes.


"Small businesses are the cornerstone of the American economy and I am pleased that my foundation can contribute to the expansion and success of small businesses here in Harlem," noted President Clinton in a statement. "This bowling alley is just one example of the businesses that this program has helped to get off the ground and contribute to its surrounding community."


Information about Harlem Lanes can be found at www.harlemlanes.com or by calling 212-678-BOWL.


"The community here has been extremely supportive," says Sharon Jones. "When Gail and I sit in on neighborhood meetings at different venues, people who don�t know we’re affiliated with it say things like, "We can’t wait to see this bowling alley! When does the bowling alley open up? It feels really good."

 

Related: The New Flavor of Uptown :: Harlem Bowling Center :: Daily Candy :: New York Times :: NY Daily News ::

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February 15, 2006

Harlem Bowling Center

BowlingIn Harlem, Pair Becomes First Black Women to Own Bowling Alley

Date: Monday, February 13, 2006
By: Monica Lewis, BlackAmericaWeb.com

Thanks to two enterprising sisters, residents of Harlem will now have a chance to bowl down their very own alley.

When the Harlem Bowling Center opens its doors next month, it will mark the first time in three decades that the famed northern Manhattan community, still in the midst of a residential and economic revitalization, will have its very own bowling alley.

Sharon Joseph and Gail Richards realized it was time to bring the bowling experience back to Harlem, and in doing so, they are making history as the first black women to own a bowling alley in the United States. Their feat has generated a lot of buzz and even captured them a spot as cover girls on an issue of Bowlers Journal magazine. But despite the fact that many in their community are excited about their new endeavor and anxious to support the business, Richards said she still finds it hard to believe that she and her niece are now considered trailblazers.

“The response from the community has been overwhelming. There’s a huge sense of pride that there are two African-American women doing a project like this,” Richards told BlackAmericaWeb.com. With bowling being a sport that appeals to many people regardless of age, gender or race, it seemed like such a natural fit to start such a business, Richards added.

“Bowling has been a sport that has been around since Egyptian times, and how it was that this niche market has not been broken, I really don’t know,” she said.

The two visionary women said the idea to open a bowling alley came to them as they walked down 125th Street one day four years ago. Wondering how they could enhance a neighborhood already rich with culture and history, they figured they could capitalize on the fact that far too many Harlemites had to travel to lower Manhattan or to New York’s other boroughs just to bowl. With the activity a sure-fire way to mix fun and family, Joseph was determined to see their vision become a reality.

A mother of a four-year-old girl, Joseph said the Harlem Bowling Center will provide parents with an opportunity to host birthday parties for young children, something that isn’t in great supply in Harlem. Such outlets are crucial, with more and more black professionals choosing to buy homes and raise families in Harlem.

“We were thinking about something that would be beneficial to the community, and with so many families coming into the community, we knew that this would be something everybody could participate in,” Joseph told BlackAmericaWeb.com.

With so many attention and anticipation being heaped upon the project, both Joseph and Richards say they’re ready to take their show on the road — to other sites in New York and beyond.

“We definitely want this to be a part of the community, and we want the community to feel as if this is something that can represent them and help them see it as a way to create ownership,” Joseph said, pointing to another black entrepreneur who reinvigorated countless black inner-city communities.

“We want to take the Magic Johnson approach and do similar models, but only with bowling alleys,” Joseph told BlackAmericaWeb.com. “We really believe that we can take this concept and expand it to other communities as well.”

As part of the special opening activities, Richards said there will a variety of events, including an X-Box competition and a party sponsored by Vibe magazine, which is sure to bring in a number of A-list celebrities to the bowling alley, which is located in the heart of Harlem at 126th Street and Seventh Avenue, right across the street from the Adam Clayton Powell, Jr. State Building. But don’t expect the business to cater only to the rich and famous. Richards said the Harlem Bowling Center will be as affordable as it is fun and fabulous.

Before 7 p.m., patrons will pay $5.50 per game. After 7 p.m., guests can expect to pay $7.50 per game. There will be special family packages and prices for senior citizens, but Richards said you can’t beat the prices, especially with the costs associated with many leisure activities in New York and across the country rising to exorbitant numbers,

“We’re very affordable, and our prices will be cheaper than any other bowling alley in the city,” she said. “And if you think about it, right now just to see a movie it costs $10, so we think people will be pleased with what we have to offer.”

That was a concern that banks brought up when Richards and Joseph were seeking to secure loans to finance their dream. But the two are confident that the Harlem Bowling Center will not be a passing fad. While the sport saw a decline in the 80’s and 90’s, many believe a resurgence is taking place. Cable televised bowling competitions saw increased ratings in the past two years and it has become one of the fastest growing high school sports in the country, thanks to a renaissance amongst teen bowlers. In an interview with ABC News last year, professional bowler Chris Barnes said the new fan base sees the fun the sport can provide.

“Having a personality now is a good thing, and (bowling) has grabbed a different audience than we’ve had for a lot of years,” Barnes said.

Joseph agreed.

“We believe that young people will be our bread and butter, so we want to create avid youth bowlers who will grow up to be avid adult bowlers,” Joseph said, acknowledging that the there are less bowling alleys around today than there were a generation ago. However, that’s not due to a lack of interest, but rather a sign of the economic times.

“Bowling has historically been a mom-and-pop business and as the owners grow older, a lot of them have failed to have a successor in place or they see that there’s value in selling the land in which the bowling alley is on,” Joseph said. “Our site might be trendy for some at first, but there are people who think of bowling as a serious sport and they’re finding it harder to find places to play.

“Bowling alleys don’t close because they’re not successful,” she added. “The reason why we will have longevity is that there are people out there who take this sport very seriously.”

In addition to providing Harlem residents with a social outlet, Joseph and Richards also want other black women to see that anything is possible. A 2005 study by Essence magazine found that the number of black women interested in starting their own business far outweighed the number of white women — 50 percent to 29 percent. So Joseph and Richards know that there are women out there capable of taking the initiative to build upon a dream, just as they have.

“As women, we’re generally faced with the challenges of living, including having a family, a career and pressing issues that sometimes keeps us from moving forward and achieving our dreams,” Richards said, adding that Joseph’s daughter was just a newborn when the two set out to get the project off of the ground.

“It’s just a matter of what kind of tenacity you have. I think we all have it, but we become anxious about going out on faith,” she said. “We want to become a beacon for many women out there who want to make things happen. It is doable and we’re proof of it.”

Related: NY Daily News 

 

__________________

Date:May 19, 2000

New York, NY - Harlem residents soon will be flocking to a gleaming new bowling alley, thanks to the vision of two local investors and the commercial real estate firm of GVA Williams.

GVA Williams represented two local businesswomen, Sharon Joseph and Gail Richardson, in the lease of 25,000 square feet at the historic, six-story, 75,000-square-foot former Alhambra Theater, located at 2110-2118 Adam Clayton Powell Jr. Boulevard between 125th and 126 Streets.

Joseph and Richardson leased the third and fourth floors of building and will convert the space into Harlem Bowling, a splashy new entertainment venue that will also offer a restaurant, bar, and space for private functions.

The husband and wife team of Eric Meyer, director, GVA Williams and Nicole Meyer, director, Newmark New Spectrum, negotiated both sides of the 20-year lease transaction. Fort Lee, New Jersey-based Mitchell Enterprises owns the property.

"This is one of the most interesting deals I have ever worked on," said Eric Meyer of GVA Williams. "Sharon Joseph and Gail Richardson were looking for a property that fit the complex specs they needed—specifically, the column spacing necessary for the construction of a bowling alley. This property fit the bill, and it worked for them aesthetically."

Harlem Bowling will be the fourth bowling alley in Manhattan, joining Leisure Time Bowling in the Port Authority, Bowlmor Lanes on University Place and AMF Chelsea Piers Bowl. The new bowling alley will be located in the center of a thriving Central Business District in Harlem, an area that has seen a flurry of activity in the last six months.

"I proposed creating a sports facility in Harlem several years ago, but that didn’t work out," said Sharon Joseph. "However, seven years later the community has changed. We eventually did a questionnaire to see if bowling was something people were interested in and took it to the other bowling alleys around the city and found out many people there were Harlem residents who went downtown to bowl."

"GVA Williams and Newmark New Spectrum were very instrumental in finding us a suitable space for this new facility," Joseph added. “We are truly looking forward to serving Harlem residents, and to providing families in the area with a place to come for some good, clean fun."

Previously known as the Alhambra Theater, the property was last used as a theater in the early 1900s. Asking rents for the space were approximately $28 per foot. The space works well for the new bowling facility, as both floors are column-free with 45-foot-tall ceilings between both floors. The second floor, encompassing 12,500 square feet, is still available.

Joseph and Richardson have raised the entire amount needed for the renovations, an estimated $5 million, with some assistance from the Harlem Small Business Initiative, a project started by former President Bill Clinton to help provide services to small businesses starting in the Harlem community. Nearly all of the preliminary work is finished, and the new venue is scheduled to open in December.

About GVA Williams
GVA Williams, the third-party brokerage and management division of Williams Real Estate Co. Inc., has been in business since 1926. The company is a leading provider of specialized realty services, including leasing, property management, investment advisory services, development, construction management, mortgage brokerage, tenant representation and institutional management. GVA Williams, a founding partner of GVA Worldwide Ltd., has offices in midtown and downtown Manhattan as well as in upstate New York, New Jersey, Connecticut and downtown and suburban Chicago. For more information, please visit the GVA Williams web site at www.gvawilliams.com.

 

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Hip Hop History Tours

February 12, 2006
Music
Grandmaster Caz 

A Rolling Shout-Out to Hip-Hop History

By JODY ROSEN

JUST before noon on a raw, wet Saturday a few weeks ago, two dozen tourists piled off of a bus at Frederick Douglass Boulevard and 155th Street in Harlem and made their way into Rucker Park. The park is a Harlem landmark, the site of the annual Entertainer’s Basketball Classic, a summer tournament that pits local legends against professional players. But the tour group was there for a different kind of performance.

In the otherwise empty park, they were greeted by Wonder Rock and Mouse, two break dancers from Brooklyn, who hooked up an MP3 player to a Pignose portable amplifier, blasted a James Brown breakbeat, and were soon moving across the rain-slickened asphalt, demonstrating moves like the toprock, the coffee grinder and the windmill. When the show was over, the audience was invited to clamber down from the bleachers for a quick tutorial. A paunchy, 40-ish white guy from Dallas announced that he had been in a break dance crew a couple of decades earlier, and was soon down on the ground, executing a better-than-passable windmill.

That elicited whoops from the tour guide, a burly 45-year-old named Curtis Fisher, better known as Grandmaster Caz. Caz is a renowned figure in early hip-hop, a member of the venerated Bronx rap crew the Cold Crush Brothers and the ghostwriter of some famous verses of "Rapper’s Delight," the 1979 Sugarhill Gang song that became rap’s breakthrough single.

Today, he has gone from making history to teaching it. Caz is one of several hip-hop pioneers — including Kurtis Blow, Doug E. Fresh and D.J. Red Alert — who work for Hush Tours (www.hushtours.com), a Manhattan company that since June 2002 has run hip-hop-centric sightseeing tours of Harlem and the Bronx.

The success of Hush Tours is a sign that hip-hop has become part of New York’s official cultural heritage — for younger visitors especially, a tourist magnet right up there with the Brooklyn Bridge or the Statue of Liberty.

But Hush Tours offers something more than just sightseeing: an argument about authenticity, an opportunity, in the words of its promotional literature, to "see, hear and feel the true meaning of the elements of hip-hop." In so doing, the tour reflects debates about history, memory and "the real hip-hop" that have become more pronounced and contentious as the years have passed, and hip-hop culture has developed a self-consciousness about its past.

As Hush Tours takes pains to point out, hip-hop history stretches back to the early-1970’s, years before the first rap records were even recorded. "This is the 32nd year of the culture of hip-hop," said Caz, as the bus rolled north on Madison Avenue, adding, with an M.C.’s flair for self-mythology, "This is my 33rd year in the game."

HUSH Tours is the brainchild of a 38-year-old Bronx native, Debra Harris. Several years ago, Ms. Harris, a legal secretary, began taking members of her family on impromptu driving tours to places like the former site of Harlem World Entertainment Complex on 116th Street, where rival rap crews had faced off in rhyme battles a quarter-century ago. Ms. Harris was motivated, she said, by a desire to pass along knowledge of hip-hop’s roots to her children. She soon realized that she had stumbled on an untapped tourist market.

"When you go to Nashville, you know that’s the home of country music," Ms. Harris said. "New York needed to step up to the plate, to say officially that this is the birthplace of hip-hop. The city was sleeping on it. I discovered that younger visitors who loved rap music were eager for more knowledge, for a different kind of tourist experience that would get them out of Times Square."

Today, for the price of $70, the Hush Tours bus whisks visitors to the Grand Concourse in the Bronx, making stops at, among other places, the Graffiti Hall of Fame at 106th Street and Park Avenue, a schoolyard featuring enormous murals by some of the city’s top graffiti artists, and Bobby’s Happy House, a record store owned by Bobby Robinson, the onetime proprietor of Enjoy Records, which released some of the earliest hip-hop singles.

At the Graffiti Hall of Fame, there is a Disneyish touch: Caz distributes Kangol hats and fake gold chains with dangling dollar-sign pendants to the tourists, who cross their arms and strike B-boy stances for snapshots in front of the spray-painted walls. Harlem residents have seen a lot over the years, but a gaggle of white tourists dressed like LL Cool J circa 1985 is something new.

The real action, though, takes place on the bus, where the tour guides play music, reminisce, instruct and proselytize. "This is an opportunity to pass on the truth," said the rapper Kurtis Blow, who is also host of "Backspin," a Sirius Satellite Radio program devoted to old-school hip-hop. "Hip-hop history has been lied about, distorted and in some cases outright destroyed."

Leading bus tours is not exactly the standard afterlife for onetime stars like Mr. Blow, whose 1980 single "The Breaks" was the first rap record to go gold. But the hip-hop pioneers regard the tours as a way to ensure their legacies.

Red Alert, a longtime fixture on the New York airwaves, said: "It’s great because we didn’t have a platform to pass on our knowledge. The tour has given us a platform to explain the history that we experienced, the history that we set in motion."

On that chilly Saturday a few weeks back, Caz was a jovial, blunt tour guide. "Today you’re going to learn what hip-hop is and what it’s not," he announced at the tour’s outset. "It’s not just rap music, and it’s definitely not just the 10 records you hear over and over again on the radio."

He peppered his talk with oft-told hip-hop tales and intriguing nuggets of cultural history. He told hip-hop’s creation story, of the famous 1973 party in the Bronx, at 1520 Sedgwick Avenue in Morris Heights, whose host was the legendary Jamaican immigrant disc jockey, D.J. Kool Herc. He described how the looting of hi-fi stores during the 1977 New York City blackout propelled D.J. culture. ("It was like Christmas for black people" he said. "The next day there were a thousand new D.J.’s.")

He played charmingly primitive early rap records, like the Fatback Band’s "King Tim III (Personality Jock)" (widely regarded as the genre’s first single) and songs by the Sequence, one of the earliest all-female rap ensembles. He waxed rhapsodic over hip-hop’s humble beginnings, when the biggest rap shows in New York were announced on hand-lettered Xeroxed fliers (Caz distributed several vintage examples), and D.J.’s powered their sound systems for outdoor block parties by tapping into the wiring of street lamps.

"The rappers today who can drive around in Bentleys, with their jewelry and million-dollar homes," Caz told the tour group. "They’re able to live like that because cats like me and Bambaataa" — the famous rapper and D.J. Afrika Bambaataa — "were in the trenches back in the day, laying the groundwork and getting chased off the block by the police."

That sense of grievance is common among old-school rappers and D.J.’s. "All of the pioneers that I know feel overlooked and dissed," said Ms. Harris, whose tour guides have also included Rahiem of the Furious Five and Reggie Reg of the Crash Crew. Of course, long-term memories are rare in popular music, and hip-hop M.C.’s and producers are particularly unsentimental about the musical past. For good reason: it is precisely that ruthless fixation on novelty — new sounds, fresh styles, the next big thing — that has kept the genre vital for so long.

"We have a real thing in hip-hop about out with the old, in with the new," Ms. Harris said. "I’m shocked about how little awareness of history there is, especially since so many people are making so much money in the rap industry. There’s much more awareness of hip-hop history in other countries."

Artists like Grandmaster Flash tour regularly overseas, where they draw far bigger audiences, and Ms. Harris estimated that 80 percent of Hush Tours’ patrons are "international visitors." Sure enough, a recent tour included just four Americans, along with tourists from England, France, Germany, Australia and Kenya. In this respect, old-school rappers and D.J.’s have in recent years become similar to jazz musicians, who have long experienced rapturous receptions in Europe and Japan while struggling at home to find respect and decent-paying gigs.

Still, hip-hop culture does not lack a sense of history. Rappers have long been shouting-out their elders and dropping allusions to past raps into their rhymes. Sampling is, among other things, an art of historical preservation, resurrecting the sonic past to serve the present. And as hip-hop has entered its fourth decade, the process of historical investigation and canon-making has swung into high gear.

Recent years have seen the publication of important books on hip-hop’s origins (including "Yes Yes Y’all: The Experience Music Project Oral History of Hip-Hop’s First Decade" (Da Capo Press) and "Can’t Stop, Won’t Stop: A History of the Hip-Hop Generation" (St. Martin’s Press) by Jeff Chang) and the arrival of VH1’s annual "Hip-Hop Honors" telecast, a counterpoint to the Rock and Roll Hall of Fame, which has thus far ignored rap artists.

Meanwhile, a cult of the good old days is much in evidence among normally nostalgia-averse rappers. The "back in the day" pastorale has become a hip-hop cliché: seemingly every third rap album includes a soft-focus ode to such old-school symbols as Cazal eyeglasses, fat sneaker laces and Eric B. & Rakim. (On the tour bus, Caz played one of the more famous examples, Tupac’s "Old School," which opens with the lyric, "I remember Mr. Magic, Flash, Grandmaster Caz.") This nostalgia is especially entrenched among underground or "backpacker" rappers, who position themselves as the true heirs to the old school, carrying the spirit and politics of hip-hop’s "golden era" into a debased age of bling and chart-topping gangstas.

From ragtime revivalists to 1950’s folkies to roots rockers, there have always been purists who mourn the fall from pre-commercial "authenticity" to mainstream popularity. But that reverence for the past can cause some fuzzy historical thinking. It’s worth noting, for example, that the current gangsta-bling era now spans far more years than any of hip-hop’s purported golden ages. At this point, who is to say that that gangsta rap isn’t the real hip-hop? Does anyone really believe that Spoonie Gee and Whodini were better rappers than, say, Snoop Dogg or Ludacris?

The cult of the old school also smacks of basic New York chauvinism. Now that the hip-hop diaspora has spread worldwide — and current-day rap history is largely being narrated in a Southern twang — it is silly to argue that New York has some kind of monopoly on hip-hop authenticity.

Ms. Harris is adamant that Hush Tours has no axe to grind. "We’re certainly not hating on today’s rap music," she said. "We’re just trying to make sure that people know where it all came from. If we stay in business, 20 years from now we’ll be giving guided tours to today’s hip-hop."

As for Grandmaster Caz, he has some scores to settle, which he does, of course, by rapping. As the tour wound down and the bus headed south from Harlem down Fifth Avenue, Caz stood up at the front and regaled the crowd with rhymes extolling the old school. The tour de force is a rap called "Before," in which Caz makes a grand metaphysical boast in behalf of hip-hop itself: "Before Reganomics/ Before rappers got shot in their stomachs/ Before Britney, Mariah and Janet/ Before Soul Sonic Force rocked the planet/ In its lyrical form and in the essence of time, by no means get it twisted/ My name is hip-hop, and I have always existed."

It’s one of the more basic hip-hop lessons, as valid now as it was back in the day: polemics go down easier when delivered in rhymed couplets, over a beat.

 Source: NY Times

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February 14, 2006

Nubian Heritage

In Brooklyn, A Growing Business Rooted in a Dream

By Umi Grigsby


"I was born to be an entrepreneur, just like my father and his father before him," says Richelieu W. Dennis.

The 34-year-old Brooklyn businessman has taken his family legacy, along with a strong appreciation for his native West African culture and traditions, and translated them into the lucrative Sundial Group of Companies.

Grossing well "over 1 million dollars annually," the Sundial umbrella - a 100% Black-owned manufacturer, wholesaler, and retailer of traditional personal care products, flavors and fragrances - includes Sundial Fragrances & Flavors, Inc., the Nubian Heritage personal care products brand, and the Nubian Heritage Marchés in Brooklyn, Queens, and Harlem.

In addition, there is Nicholas, an Afrocentric store featuring urban and traditional clothing, and Madawa, a botanical store still in the process of being set up.

The Nubian Heritage project began with a dream in 1992, when then street vendor Richelieu Dennis, along with business partner and childhood friend from Liberia, Nyema Tubman, recognized the dearth of quality beauty products for African Americans. Dennis, who had graduated the year before from Boston’s Babson College with degrees in Finance, Investments and Entrepreneurial Studies, began experimenting with his own recipes using natural ingredients to create the first iteration of Nubian Heritage products.

At the time, he also recognized that in addition to the absence of product there was also limited access to realistic knowledge of African history and artifacts with a fashionable black aesthetic.

"For instance, when you’re trying to find home décor pieces,” he explains, you can’t walk into Bloomingdales and find pieces that speak to you and the culture. The selection and quality is limited".

So, in part, he founded Sundial Fragrances & Flavors, Inc., out of this frustration combined with the near impossibility to find a mainstream retailer willing to take a gamble on his homemade products.

His entrepreneurial spirit drove his need to fill that void in the community and vice versa, he says.

"I wanted to provide a lifestyle center for the community, a place where we can come to get our wellness, beauty, and entertainment products."

The first Nubian Heritage Marche was born in Brooklyn in February 2001, followed by the marche in Queens in February 2002, and culminating, most recently, with the addition that excites him the most: a third New York location in Harlem that opened in 2004.

Housed in the historical National Black Theater building, the Harlem marché is the flagship location for Nubian Heritage. The marche has hosted attractions that have included Harlem Book Fair events, a slumber party with the author Deborah Gregory and a book signing with the author Zane.

As it is the case with the two other locations in Brooklyn and Queens, the market is an Afrocentric mélange of a Barnes and Noble, a Tower Music, an Urban Outfitters, and a Bath & Body Works. With its hardwood floors, minimalist design and urban feel, Nubian Heritage stores offer an impressive range of merchandise ranging from books, music, and clothing to collectible art, hair and body products. It also opens up its space regularly to serve as a "watering hole" for community events.

The Harlem store also features a SheaSpa, a full-service spa and salon focusing on natural African products, Boma Coffee & Tea Co., an African-themed café serving coffee and delicacies imported from the African continent, Nubian Garden’s Florist and Dee’s Art Gallery

Highly ambitious and multifaceted, the business project seems to be the fruition of Dennis’ determination to be a successful businessman and his early vision of what he thought he would do with his life. Forging a philosophical link between the predominantly African American communities they serve and the cultural traditions of Africa, Dennis has found a way to combine his business background, with his own experiences growing up in Liberia to create a unique business model.

"The Nubian Heritage Philosophy is not any different from the philosophy that most African Americans share in raising families…The people that work in our businesses take ownership of our business." The success of the company is create a family that extends from within the company out to the community

Sia Pickett, the "Village Leader" or manager of the Harlem marché, explains that the company is a tribe of people, providing links to the community. When asked how she finds her employees, she explains that they come from within the neighborhood, and that once hired, these "tribe members" then invite their friends and families into the markets. These extended family members then feel the need to support the market by default the family. Dennis echoes this perspective. "Most of the staff has come from inside referrals because the business has grown; and some people just walk off the street into the store. They all want to be a part of what they see as an important movement". The staff is an important part of spreading the message. "Our people grew up and live in the communities we serve," he adds, "so they have a vested interest in developing their neighborhoods."

Whether its masked professionalism or sincere customer service, all the stores are abuzz with friendly staffs. With the tribe in place, says Dennis, everyone is entrusted with responsibility and is equipped with the tools needed to handle their specific task. "We provide our people with the leadership expertise and guidance to handle issues on a case by case basis."

According to Tiffany Carter, Associate Director of Marketing and Communications, there are quarterly Tribe Meetings where all employees from the manufacturing plant, all stores and administration) gather to review results, discuss new strategies, and plan for the future. In this manner, a proprietary sense is nurtured and encouraged in all employees from the village leaders to the tribe members, a message that is passed down from the tribe leader himself

Dennis, tribe leader and CEO, is driven by his commitment to his extended family members. "The driving question is always are the needs of our customers being met?" With that in mind, all of the stores are specifically tailored to the unique needs of the neighborhood they serve. "We try to keep decision-making as close to the customer as possible. Everything from product staffing to lay-out is influenced by the community. We are not a cookie-cutter retailer. We are a market-specific retailer." According to Rich, the stores are all unique because of the differences in the consumers they "minister to."

"The Brooklyn consumer base is largely of Caribbean descent. In Harlem, there
is a heavier African American population. In Queens there is a high

West Indian influence, also," he says. Dennis attributes the high product turnover and accomplishments of the retailers to this attention to detail.

Seeking to explore markets with the most need, Dennis says his business is hoping to expand their villages out of New York to cities including Washington, Atlanta and Chicago. The Nubian Heritage Villages will continue to be a fusion of contemporary and traditional, providing products for the mind, body, spirit and home, attempting to carve out a central, unifying location in the villages they inhabit.

 

 Source: Blackvoice/AOL

Cat: 
    125th Street, Cafes, Multi-use, Specialty Shops | Time: 1:26 pm (UTC+8) No Comments »

The Hip Hop Soda Shop

Juelz to "Rip 125th Up" With Soda Shop

By: Alyssa Rashbaum

February 2, 2006

With all the press the Diplomats have been getting due to Cam and Jay-Z’s beef, Juelz Santana has channeled his energy into a more wholesome outlet.

Santana has joined forces with H3Enterprises, Inc. to become a financial partner in their flagship HipHopSodaShop on 125th street in his hometown of Harlem. The building sits less than a block from the legendary Apollo Theater.

"We’re gonna rip 125th up," Santana said in a statement. "It’s great to be able to enjoy all this in my own backyard with my own people. I’ve hung out with my boy ‘A Butta’ here since we were little punks and now we’re gonna get a chance to actually work together for the good of our own hood."

Each branch in the chain of HipHopSodaShops feature a quick-service menu, memorabilia, plasma screens and an area devoted to competitive CyberSports.

In January, H3 also teamed up with pop-star-maker Lou Pearlman who planned to help the company develop HipHopSodaShops throughout Orlando and Tampa.

Santana will also host the company’s first CyberSports One-on-One Challenge at the NBA All-Star Weekend in Houston.

"It’s great to add another home-grown Harlem hero to the team," Brian "H3" Peters, President and founder of HTRE, the first publicly traded Hip Hop Company said. "Juelz is a true Harlem treasure and we hope to utilize all of his talents to the full benefit of our shareholders and our communities."

"I respect everything H3 has already accomplished and respect everything he’s trying to get done," said Juelz. "We’re building a real HOME for the Hip Hop generation complete with all the things we love to do. But it’s really about creating educational opportunity and good jobs and that’s where Team H3 will prove to be unbeatable."

Source: Vibe

Cat: 
    125th Street, Informal Dining, Multi-use | Time: 11:51 am (UTC+8) No Comments »

Hue-Man Bookstore

Harlem Haven
Hue-Man Bookstore and Cafe is establishing itself as an important part of the community’s revival
By Bridget McCrea

Marva Allen says if she had a dime for every time she heard customers say how proud they are of the Hue-Man Bookstore and Cafe in Harlem, she’d be a rich woman. That kind of customer support — complemented by a steady stream of interest from African American authors and celebrities — has made the company what it is today: a 16-employee, $1.2 million entity started three years ago by a trio of partners with $350,000 to invest and a dream.

Based in the heart of Harlem, New York, about 90% of the 4,000-square-foot bookstore’s inventory comprises works by or about African Americans, with a dose of New York Times bestsellers and titles by authors from the Caribbean and African Diaspora. The café allows customers to mingle, read, and enjoy a sandwich and a coffee.

Hue-Man came to life in August 2002, when Rita Ewing, 39, Celeste Johnson, 35, and Clara Villarosa decided to open a bookstore dedicated to African American authors. Ewing, ex-wife of former New York Knick Patrick Ewing, established a partnership with Johnson, wife of NBA star Larry Johnson. Armed with an M.B.A. and 22 years of experience running a computer firm, Allen became a full partner in 2004 and today handles Hue-Man’s day-to-day operations. In 2004, the company brought in $1.2 million in revenues, and expects the same amount for 2005.

Little did they know at the time that they were building what would become one of the largest African American bookstores in the country, in one of the largest African American communities nationwide. At the grand opening on Aug. 1, 2002, rapper Jay-Z, singer Stevie Wonder, and actor Wesley Snipes attended, with poet Maya Angelou providing a special dedication.

Nothing could prepare the partners for the reception they would get in June 2004, when former President Bill Clinton signed 2,000 copies of his autobiography My Life (Random House; $35) at Hue-Man. "We were in every national magazine from Germany to Sweden to Prague," says Allen, 51, managing partner. "That took the Hue-Man brand to new places and kept it there for a year."

These days, the firm’s event calendar is nearly always filled with authors who know that their events will attract anywhere from 25 to 2,500 guests.

On the calendar recently was supermodel Iman, who in October launched her book The Beauty of Color (Penguin Putnam; $29.95) with a signing at Hue-Man. The event was part of a daylong Beauty of Color Celebration Day proclaimed by New York City Mayor Michael Bloomberg.

Things haven’t always run so smoothly at Hue-Man, where some early partnership issues manifested themselves into the departure of Clara Villarosa in 2003, and the addition of Allen and a fourth partner, Melvin Van Peebles, the following year. Van Peebles, an accomplished actor, writer, director, and composer, says he got involved with Hue-Man because education and knowledge are so vital in today’s society. "There are all kinds of knowledge hidden in books," he says. "That’s why the bookstore made sense to me. The partners are marvelous people who are trying to make a difference, so I got involved."

Allen says she’d like to see more Hue-Man stores across the nation — a goal that may be attained through franchising the concept. "It’s very much of a solidarity-based strategy, but ours happens to have a big-business component, rather than just a corner bookstore approach," says Allen. "So while we intend to remain a niche market, we do intend to run this as a national concern at some point."

Hue-Man Bookstore and Cafe; 2319 Frederick Douglass Blvd., New York, NY 10027; 212-665-7400; huemanbookstore.com

2/02/06

Source:  Black Enterprise

Cat: 
    125th Street, Cafes, Multi-use, Specialty Shops | Time: 11:49 am (UTC+8) No Comments »

The Rebirth of Cooling Out in Harlem

Updated:2005-12-14 12:30:21
 

By Celia C. Peters, AOL Black Voices
What can you say about Harlem? The energy, the hustle, the blackness, the brownness — all of these make Harlem what it is today. The unique combination of sizzling style, afro-dynamics, creativity and raw energy has been pulling people Uptown for decades. And guess what? Ain’t a damn thing changed.

Every red hot yang needs a cool blue ying, though, so BV decided to explore the soothing side of the Uptown mix, scoping out some of Harlem’s many opportunities to relax and chill. In other words, here’s your guide to Uptown chillaxing.



Harlem Flophouse

Proprietor René Calvo

Owner and innkeeper René Calvo chilling out in the Flophouse.

  • Harlem Flophouse
A Place to Lay Your Head
If you want a low-key lay-down while you’re in Manhattan, the Harlem Flophouse will do you right. Tucked away on W. 123rd Street, its distressed chic décor is a cross between Mother Dear’s house and ‘Wallpaper Magazine’. Ambiance oozes from the vintage black books on the shelves, as well as from the well-restored furniture and the polished wood floors. Jazz classics play, and two friendly housecats make it downright homey. According to handsome owner René Calvo, the building was a flophouse in the literal sense way-back-when, with the very down-and-out coming to flop for a small fee. Calvo has more than upgraded the building, but do know that technically, it still is a flophouse: unlike traditional bed & breakfasts, meals are not served (but breakfast is available for purchase). On the other hand, the nightly rate ($100 single/$125 double) is hard to beat in Manhattan these days. There’s a spacious living room and cozy parlor, and the bathrooms on each floor are shared European-style (and restored with gorgeous marble and new plumbing). When you do step outside, you’re minutes from subways and a blizzard of taxis. (Be sure to ask René for one of his very cute, very useful illustrated maps of Harlem.)



Ta Yoga House

Yoga class (Courtesy of Teresa Kennedy)

Owner/instructor Teresa Kennedy has practiced yoga since childhood.

  • Ta Yoga House
Inner-City Peace
So you’re on a mission for tranquility within, hmmm? Well, you’re in luck. Ta Yoga House is your spiritual rejuvenation destination above 96th Street. Owner (and yoga instructor) Teresa Kennedy has been making bodies and minds more flexible in her space for two years now. Ta Yoga, Harlem’s first yoga studio, offers a variety of de-stressing yoga classes in a warm, bright, polished space; as well, Teresa also teaches in the local community, spreading the good news about yoga’s health-inspiring abilities. All the required equipment (yoga mats, pillows, etc.) is provided, and between the low fees and the after-class tea, you’re getting a real bargain. Kennedy is not just a gracious and encouraging instructor, but she’s also a certified yoga success story. A former media exec who stressed herself to the point of collapse, she became an instructor after yoga literally saved her life. Once you master the lotus position, ask her to tell you all about it.



Turning Heads Salon & Spa

Turning Heads Salon & Spa

Turning Heads offers an array of spa and salon services, all from a classic Harlem brownstone.

  • Turning Heads
Saving Your Face
After you’ve gotten your inner-self settled down, don’t forget to do something to rejuvenate your outer facade. Turning Heads Salon and Spa is an oasis of peace and calm. It’s an elegant establishment located right on Lenox Avenue. Owner Shannon Ayers first opened the spa blocks away at the old Harlem YMCA on 135th Street nearly 15 years ago. She bought the current space just before Harlem’s recent real estate explosion and the rest is history — or the future, as it were. Shannon, a consummate hostess, will deliver you to the magically gentle hands of aesthetician Tracy Neely in the instantly calming spa area. There you’ll find manicures, pedicures, mind-blowing massages, the luxurious Turning Heads Signature Facial, and a whole menu of other spa treatments. Upstairs, there’s an airy salon that bubbles with laughter, hair-smoke and mirrors – much as you’d expect to find in any room full of sisters getting their hair did. When you visit, be sure to check out the collection of antique pressing combs, curling irons and blow dryers, and in the spa restroom, read the wallpaper made from historical cosmetics ads and labels.



Chocolat Restaurant

Chocolat Restaurant

Elegant Chocolat Restaurant-Lounge is located at the northern end of Central Park.

  • Chocolat on AOL CityGuide
Getting Your Fill
The last stop on your excursion through afrocentric repose should be somewhere you can feed on easy Uptown flavor. Chocolat Restaurant-Lounge is the perfect place. Done in mocha tones with deep blue and cream accents, this sleek Harlem bôite even looks delicious. Its contemporary design may surprise you, but no worries: as modern as it looks, it’s still very user-friendly. When you sink into a soft banquette and lay back on the sexy fabric wall, you’ll see local art hanging before your eyes. As the crowd starts to thicken, you’ll see an interesting mix of people who all have sophistication in common: no clumsy tourists or gold fronts here. The service is warm, competent and attentive – which is mos def a triple threat in Manhattan. Chocolat’s full menu features delicious "nouveau soul" cuisine, i.e., streamlined versions of old favorites, plus some dishes (like fresh-from-the-net calamari or crispy Caesar salad) that are outside the soul-food box. Proprietor Leon Ellis, who also owns Moca Bar and Harlem Underground, has a background in Food and Nutrition Science – and it shows. When you stop by, be sure to ask for a shot of the decadent Chocolat Martini — which is served in a very, very edible chocolate cup.
 
Source: AOL/BlackVoices 
Cat: 
    Multi-use, Lounges, Hotels/Inns/B&Bs | Time: 9:57 am (UTC+8) Comments (1)

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